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Poichè è stata variata la collocazione dei files sul sito dicoseunpo.it, i Links che rimandano ai libretti.pdf delle varie opere vanno così modificati : da http://www.dicoseunpo.it/dicoseunpo/ a
. si può ascoltare online sul sito della radio inglese. Si può programmare la registrazione audio tramite DriveCast.
Renée Fleming (Armida), Lawrence Brownlee (Rinaldo), Antonino Siragusa (Gernando), Kobie van Rensburg (Ubaldo) and Barry Banks (Carlo) with the orchestra and chorus of the Metropolitan Opera conducted by Riccardo Frizza.
Ekaterina Semenchuk (Princess Marina), Aleksandrs Antonenko (Dimitri), Oleg Balashov (Shuisky), Evgeny Nikitin (Rangoni) and René Pape (Boris Godunov) with the orchestra and chorus of the Metropolitan Opera conducted by Valery Gergiev.
Natalie Dessay (Lucia), Ludovic Tézier (Lord Enrico Ashton), Joseph Calleja (Sir Edgardo di Ravenswood) and Matthew Plenk (Lord Arturo Bucklaw) with the orchestra and chorus of the Metropolitan Opera conducted by Patrick Summers.
Vladimir Galouzine (Ghermann), Alexej Markov (Count Tomsky), Peter Mattei (Prince Yeletsky) and Adam Klein (Chekalinsky) with the orchestra and chorus of the Metropolitan Opera conducted by Andris Nelsons.
il libretto deve essere uno scheletro capace di ricevere compiutezza artistica e verità psicologica dalla Musica, la quale a sua volta proprio da quelle parole, da quelle situazioni teatrali inevitabilmente deve prendere spunto e vita. (
Bryn Terfel (Wotan), Richard Croft (Loge) Stephanie Blythe (Fricka), Wendy Bryn Harmer (Freia), Patricia Bardon (Erda) and Gerhard Siegel (Mime) with the orchestra and chorus of the Metropolitan Opera conducted by James Levine.
Juan Diego Flórez (Count Ory), Michele Pertusi (The Tutor), Joyce Di Donato (Isolier), Stéphane Degout (Raimbaud), Susanne Resmark (Ragonde) and Diana Damrau (Countess Adèle of Formoutiers) with the orchestra and chorus of the Metropolitan Opera conducted by Maurizio Benini.
Matthias Goerne (Wozzeck), Waltraud Meier (Marie), Gerhard Siegel (The Captain), Stuart Skelton (The Drum Major) and Walter Fink (The Doctor) with the orchestra and chorus of the Metropolitan Opera conducted by James Levine.
Renée Fleming (The Countess), Sarah Connolly (Clairon), Joseph Kaiser (Flamand), Russell Braun (Olivier), Morten Frank Larsen (The Count) and Peter Rose (La Roche) with the orchestra and chorus of the Metropolitan Opera conducted by Andrew Davis.
Dmitri Hvorostovsky (Count di Luna), Marcelo Álvarez (Manrico), Dolora Zajick (Azucena), Sondra Radvanovsky (Leonora) and Stefan Kocan (Ferrando) with the orchestra and chorus of the Metropolitan Opera conducted by James Levine.
il libretto deve essere uno scheletro capace di ricevere compiutezza artistica e verità psicologica dalla Musica, la quale a sua volta proprio da quelle parole, da quelle situazioni teatrali inevitabilmente deve prendere spunto e vita. (
il libretto deve essere uno scheletro capace di ricevere compiutezza artistica e verità psicologica dalla Musica, la quale a sua volta proprio da quelle parole, da quelle situazioni teatrali inevitabilmente deve prendere spunto e vita. (
il libretto deve essere uno scheletro capace di ricevere compiutezza artistica e verità psicologica dalla Musica, la quale a sua volta proprio da quelle parole, da quelle situazioni teatrali inevitabilmente deve prendere spunto e vita. (
il libretto deve essere uno scheletro capace di ricevere compiutezza artistica e verità psicologica dalla Musica, la quale a sua volta proprio da quelle parole, da quelle situazioni teatrali inevitabilmente deve prendere spunto e vita. (
il libretto deve essere uno scheletro capace di ricevere compiutezza artistica e verità psicologica dalla Musica, la quale a sua volta proprio da quelle parole, da quelle situazioni teatrali inevitabilmente deve prendere spunto e vita. (
il libretto deve essere uno scheletro capace di ricevere compiutezza artistica e verità psicologica dalla Musica, la quale a sua volta proprio da quelle parole, da quelle situazioni teatrali inevitabilmente deve prendere spunto e vita. (